Monsters

australia black and white cold dark

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Your monsters are slick

like movie villians

-they always get the the cool costumes.

They smoke cigarettes

and lurk in dark alleys.

They hide behind trees in forests.

They creep into your houses

and into your daughters’ dolls

to make their heads spin.

They hide in your basements

and wait in the darkest corners

for you to go downstairs.

And

when they are ready

they arch their backs and scurry like crabs

up walls and onto ceilings.

But my monster is different.

She crept in between my thighs

after I had a cocktail

or three

and slipped inside, warm and gentle.

She swam through my veins

until she reached my brain

where she curled up

and now the two of us

sleep together

and wake together

and think

and act

and stay

together

even in the sunlight.

 

 

 

Complacency

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It is impossible to be unhappy on this beautiful day.

The sky is clear and blue

only blue-the perfect compliment to the newly sprung leaves of verdant green

under whose canopy I sit and appreciate

the gentle breeze and glorious sun

whose rays sneak through this lush umbrella

to kiss my skin

-softly, gently.

*

It is impossible to be unhappy.

Is it not?

*

But the breeze-it lulls me to sleep

a dull dreamless sleep

which I do not wish to enter.

*

I long for a sharp and bitter wind

to jolt me awake.

*

My eyelids are heavy.

My limbs carry the invisible weight of complacency.

*

But it is just so pretty

and comfortable

sitting here.

Just sitting.

It is impossible to be unhappy.

 

This poem was originally published on June 3, 2018

Is This Death?

photo of columbus clouds

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Is this death, this dull ache in my back?

What of these pains that pulse through my body?

This fear that sleeps and wakes with me, is it death

like a crow picking on carrion in the street?

Is she death, this face that greets me in the mirror each morning?

This woman I do not recognize?

This exhaustion, is it death

ringing the bell, waring me that the time for eternal rest is fast approaching?

 

Perhaps it is death.

I do not like it though.

I prefer to believe it is life.

Life marching on.

Life marching over me.

 

Perhaps I will grab hold of it

and let it carry me along

through this maelstrom that rages for an eternity

or a moment.

 

Perhaps, when the winds die and the sea stops churning,

there will be peace

peace in this life

before death.

 

 

Shadows and Light

tree pathway

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Four years ago, I wrote this poem. Four years ago, I let go of the misguided belief that to write about painful family relationships is to be disloyal. Four years ago, I began the process of becoming an artist. Make no mistake-you cannot be an artist if you censor yourself; if you hid your past; if you sacrifice your truth to protect others.

Shadows & Light

Life with you was shadows and light.

On days when there was only light,

there was never only light.

A small step

in either direction

and you would cast your shadow.

Some days it would remain small

yet present.

It would lurk

and wait

and then grow.

It would grow

until it reigned over us.

And tears would rain

from eyes

that searched,

longing for light’s return.

If only it was always shadow,

the light would not be missed.

But such was not our fate.

.

Now that you are gone, it is only shadow-

that haunts my memories

that burdens my conscience

that chases the light.

Shadows

Light

You

I

Life

Death

An end

that never ends

Light Like a Sunday

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I am experimenting with line breaks and punctuation in poetry.  Which do you prefer, A or B? This morning, looking at both with fresh eyes, I prefer the rhythm of the first, despite B being my revision. Funny how a good night’s rest changes things.

A.

Light Like a Sunday

Light like a Sunday

afternoon-late

but not close enough to nightfall

just the dead, glaring light

of the interrogation room

declaring your guilt

in a game poorly played

in a life poorly played.

 

B.

Light, Like a Sunday

Light, like a Sunday

afternoon-late, but not close enough

to nightfall

just the dead

glaring light of the interrogation room

declaring your guilt

in a game poorly played

in a life poorly played.

 

Writing from Dark Places

lighted candle

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Most of my writing is dark-themes of loneliness, isolation, mental illness and uncertainty weave their way throughout. At times I wonder if it is irresponsible, this putting more darkness into the world. But my writing is born from places shielded from the light-the space under the stairwell where I hide, the corner of the basement where the single sunbeam cannot reach. If I wrote from places other than where I sit, anything I produced would be dishonest.

Before I became a writer, I was a dancer. Dancing was my life from the moment I began my  formal training at three-years-old. I was good-technically-but didn’t possess any real artistry until I felt true and profound sufferance. I could hear the music, move to the music, but could not feel it. Only when I learned fear, loneliness and longing for things that no longer existed did I acquire an understanding that connected me to music and movement. It was that understanding that allowed me to merge the two through dance.

Not until I knew darkness could I understand the haunting ache of Arvo Part’s Tabula Rosa or the torment of his Fratres. Not until I understood fear could I  connect to the foreboding of Marin Marais Bells of St. Genevieve, or the terror of Mozart’s Requiem in D.

But, locked away in a studio listening to these pieces, working through them, I found an almost ecstatic beauty and pleasure in the movement born from them, a beauty that never could have been experienced without the painful feelings and memories the music evoked.

This is the paradox of darkness-with its sadness, comes a heightened joy.

As with dance, so too with writing. Darkness is the foundation upon which beauty and joy is built, at least for those of us fortunate enough to have experienced enough pain to fully embrace the light that emerges from the shadows.

As an artist, a writer, a lover of this wretchedly beautiful world, you must be honest; you must not ignore what exists- the darkness, the sorrow, the joy, the sublime. As Mary Oliver states in “Wild Geese,”

Tell me about despair, yours, and I will tell you mine.

Meanwhile the world goes on.

Read and listen to full poem here.

So tell me writers, dancers, artists; tell me your despair, your fear, your pain; share with me your darkness so that I can tell you mine, and we can learn the truth and beauty of the world that goes on and on….