Shirley Jackson’s The Summer People

On this episode of Strange & Scary Story Talk, I discuss one of Shirley Jackson’s lesser-known works, The Summer People. This story is classic Jackson, complete with angry villagers, outsiders and a house that just may be a couple’s undoing.

Of course, it’s impossible discuss Shirley Jackson’s work without talking about the author herself. Her relationship with her mother, her troubled marriage, her insecurities and addictions, her internal conflict over her dual roles as both homemaker and dark fiction writer-she channeled these struggles into the characters and themes that drive her narratives.

Jackson wrote in a style that, on the surface, is rather simple; her prose is clear and concise, yet at times disarmingly poetic. Until recently she was underrated as a writer in part because much of her work was classified as horror, a less esteemed genre than literary fiction. Jackson’s brilliance, however, is most evident in her ability to shed light on the darkness and frailty that lie within us all. Her protagonists are as disturbed as her angry villagers. Her settings are far less haunted than the people who inhabit them. Her characters behave in alarming and, at times, wicked ways, and yet you can’t help but hope they will be okay in the end…and usually they are not. In fact, in Jackson’s world, nothing is okay. It is a hostile place that is inhabited by lonely people who stand on the precipice of madness or death. She holds a mirror to her readers, reflecting our fears about ourselves and the communities in which we live. Despite this, her work is immensely entertaining to read. Jackson has fun placing her characters in peril, and you can be sure it gave her great pleasure to shake up her readers and make us uncomfortable. I would argue that if you don’t feel unsettled after reading Jackson, you haven’t enjoyed the full experience.

Joan Lindsay’s Picnic at Hanging Rock

 

On this episode of Strange & Scary Story Talk I discuss Joan Lindsay’s 1967 novel, Picnic at Hanging Rock. The story begins on Valentine’s Day, 1900. Students of Appleyard College for Young Ladies are going on an outing to Hanging Rock, an ancient volcanic rock formation and popular picnic site. During the trip, three of the girls and a teacher disappear. Picnic at Hanging Rock is a mystery, but is also a work rich in themes, addressing colonialism, repression and the spiritual and natural forces that cannot be controlled by man. This work is eerie and disturbing, and it’s backstory is as strange as the novel itself.

In this video, I explore how Lindsay’s interest in Spiritualism-she is said to have been a mystic herself-informed her writing of Picnic at Hanging Rock and how Lindsay’s training as a painter is evident in her use throughout the text of light and shadow which not only function symbolically but also create the hazy, dreamlike sense of place, one of the most powerful aspects of the novel.  I also talk about the decision to omit the book’s final chapter and Peter Weir’s 1975 film adaptation of the novel.

I hope you enjoy this video. If you do, please like and subscribe to Strange & Scary Story Talk. Also, please leave comments. Let me know what you think about the novel, the film, the ambiguous endings of both….

Thank you for watching!

Clarice Lispector’s The Fifth Story

On this episode of Strange & Scary Story Talk I discuss Clarice Lispector’s The Fifth Story. Although Lispector, one of Brazil’s most famous twentieth century literary figures, wrote mainly short fiction and novels, her work is deeply poetic, her manipulation of language and form a testament to her ingenuity and brilliance. Lispector’s work is dark and disconcerting. Most of her stories are about women engaged in mundane daily tasks; however, her writing is not about plot but the internal worlds of her characters – worlds that, when exposed by Lispector, reveal disturbing truths. The Fifth Story is no different. Ostensibly, it is about a woman killing cockroaches in her apartment, but it is so much more. Within the frame of seven paragraphs, Lispector retells the same story five times, ending  in two sentences and the understanding that the story could continue. As for Lispector herself, she is as fascinating as her writing. Her brilliance, her glamour, her enigmatic personality created a mystique which endures today.

Please like and subscribe if you enjoy the video!

One final note: Towards the end of the video I say that Gottfried Leibniz  was a mathematician and philosopher of the eighteen hundreds. I meant to say sixteen hundreds (sixteen and seventeen hundreds to be precise). It was out of my mouth before I realized and there was no going back! The perils of recording! Wondering what Leibniz has to do with Lispector’s story? You’ll have to read it to find out!

The Altar of the Dead by Henry James

Tonight on Strange & Scary Story Talk I discuss Henry James’s exquisite short story, The Altar of the Dead. This beautiful and haunting tale is not only a meditation on death, betrayal, forgiveness and unconditional love, it is also a reflection of what haunted James himself at the time he wrote it. The Altar of the Dead demands careful reading, not because it is unnecessarily complex but because James was so generous in his crafting of the tale that you do not want to miss all he offers.

*Please note that James’s 1904 masterpiece was The Golden Bowl, not The Glass Bowl. Unfortunately by the time “glass” stumbled out of my mouth, it was too late to turn back.

Elizabeth Gaskell’s The Old Nurse’s Story

Are you tired of saccharin-sweet made-for-TV Christmas movies? If so, do as the Victorians did and invite a few ghosts to your next holiday gathering, or at least fix yourself a cocktail or cup of tea and read a classic ghost tale where winter is bleak and death is serious business. This week on Strange & Scary Story Talk I discuss Elizabeth Gaskell’s THE OLD NURSE’S STORY, a gothic tale of jealousy, betrayal and terror.

Halloween Reading

Its a dank, gray Sunday here in New England, the perfect time to curl up with a collection of dark and twisted tales. If you want to set the mood for Halloween, The Cat in the Wall, my small book of short stories, is available in both ebook and paperback formats.

 

Strange & Scary Story Talk

 

I have a new project to announce-Strange & Scary Story Talk, my YouTube show where I discuss dark and strange works of fiction, both classic and contemporary, and, at the end of each episode, leave the viewer with a question (or three) to ponder.

During each episode I offer short and insightful commentary on not only a literary work but also its creator. I must say that the writers are as interesting as the tales they imagine!

So far I have discussed Shirley Jackson’s THE POSSIBILITY OF EVIL, Joyce Carol Oates’ WHERE ARE YOU GOING, WHERE HAVE YOU BEEN?, Edith Wharton’s POMEGRANATE SEED and Daphne du Maurier’s THE DOLL.

Please be sure to check out Strange & Scary Story Talk on YouTube, and, if you like what you see, don’t forget to hit subscribe! Also, share your insights about the stories in the comments section so that we can continue the conversation!

I will be announcing the feature stories of upcoming episodes here on quirknjive.com and on Twitter @heather_nanni.

Can’t wait to talk strange and scary stories with you!

 

 

Loneliness and Literature

 

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Some say they read literature to build empathy and develop a deeper understanding of lives different from their own. It sounds so selfless, so noble. But, if I am to be honest, I am neither as selfless nor as noble as that. Sure, one of the benefits of reading is that it invites us to reach beyond ourselves and our limited knowledge of the worlds outside ours, but, for me, what I like most about literature is that within it I can find myself and in doing so feel less alone in my own small world, for my world, as all worlds are, is a lonely place. We are solitary creatures-no matter how many people surround us, no matter how many friends and relationships we forge, we are alone with our thoughts, our memories, our secrets.

Sometimes readers and writers remain strangers, walking side by side, appreciating the company, but, in the end, they develop no greater understanding of the other than in the beginning. But there are other times, when somewhere in the forest of thought and words, there is a flicker of light, and under that light the writer fully sees the reader and reveals to her what before was unspoken, hidden, buried.

Sometimes a writer looks at you and tells you who you are. Or tells you that you are not alone, for she is the same as you, at least in that moment, in that thought, in that action. This, for me, is the greatest gift the writer bestows upon the reader.

I do not possess the ability to retain and perfectly recall hundreds of lines I have read in books from years past. There are only a handful which I carry with me, but these have been my companions, assuring me that someone else, some writer at some moment in time, felt the same way I did, and we met once when I wandered into her world of mystery and words, and in a flicker of light she saw me, and I understood that I was not alone.

Here are a few of those lines:

“The real loneliness is living among all these kind people who only ask one to pretend!” Edith Wharton, The Age of Innocence

“I’m inclined to reserve all judgements, a habit that has opened up many curious natures to me and also made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician, because I was privy to secret griefs of wild, unknown men.” F. Scott Fitzgerald, The Great Gatsby

” ‘You will have only one story,’ she had said. ‘You’ll write your one story many ways. Don’t ever worry about story. You have only one.’ ” Elizabeth Strout, My Name is Lucy Barton

“What if my whole life has been wrong?” Leo Tolstoy, The Death of Ivan Ilyich

What lines do you carry with you? When has an author echoed or articulated your thoughts, secrets, fears? What has an author said to reassure you that you are not alone?